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magic arms

By sarahendren

Aug 3, 2012

a close up of the 3 year old subject wearing her exoskeleton technology

This is the best example I’ve seen of 3D printed material—where its lightweight nature is precisely the thing that’s called for, and where customization is paramount. I do wish these videos would cease with the piano-for-the-disabled music, but boy: this is something. Via John Schimmel; thumbnail via.

[vimeo 43254602 w=500 h=281]

Magic Arms from Eric Jenson on Vimeo.

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artificial parts, practical lives

It’s good you’re here.

Some bodies do some things, and others do others. Prosthetics, bodily capacity, expanded engineering and creative research, flexible adaptation, possible futures, interdependence, collaborative design, inclusive systems, productive uncertainty, and critical making—these things drive our work.

We hope—we do try—to cultivate humility in the face of complexity.

Please be in touch.

about these sites

This (soon to be) three-part website documents the work of Sara Hendren, tracks the research of the Adaptation + Ability Group at Olin College, and houses the ongoing Abler archive. Here you can find a map of all three sites, and more about how they're made below.

abler

a blog (est. 2009) about the art and engineering of prosthetics, adaptive design, transhumanism, cyborg futures, etc.

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adaptation + ability group

a lab for creative research on technology + the body at Olin College.

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sara hendren

artist, design researcher, and professor based in Cambridge, Massachusetts.

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Check out this site's code and read about how it was built at the documentation site. Your contributions and experiments are welcome.

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